[00:00.00] 作曲 : Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo
[00:01.49]When I was fifteen
[00:03.47]Sixteen when I really started to play the guitar
[00:06.67]I definitely wanted to become a musician
[00:08.99]It was almost impossible because it was
[00:12.24]The dream was so big
[00:13.97]That I didn't see any chance
[00:16.13]Because I was living in a little town
[00:17.99]Was studying and
[00:19.66]When I finally broke away from school
[00:22.75]And became a musician I thought "well
[00:26.53]Now I may have a little bit of a chance
[00:28.66]" because all I really wanted to do is music
[00:31.59]And not only play music but compose music
[00:34.14]
[00:35.62]At that time in Germany
[00:37.81]In '69-'70 they had already discotheques
[00:42.52]So I would take my car
[00:44.12]Would go to a discotheque
[00:46.19]And sing maybe 30 minutes
[00:50.44]I think I had about 7-8 songs
[00:53.50]I would partially sleep in the car
[00:57.06]Because I didn't want to drive home
[00:59.25]And that helped me for about almost 2 years to survive
[01:05.86]In the beginning
[01:09.41]I wanted to do an album with the sounds of the 50s
[01:13.09]The sounds of the 60s
[01:14.64]Of the 70s and then have a sound of the future
[01:19.12]And I thought "wait a second
[01:21.38]I know the synthesizer
[01:22.63]Why don't I use the synthesizer which is the sound of the future"
[01:27.86]And I didn't have any idea what to do
[01:30.59]But I knew I needed a click
[01:32.47]So we put a click on the 24 track which
[01:35.22]Then was synched to the Moog Modular
[01:38.53]I knew that it could be a sound of the future
[01:42.42]But I didn't realize how much impact would be
[01:45.20]
[01:47.52]My name is Giovanni Giorgio
[01:49.39]But everybody calls me Giorgio
[01:51.77]
[04:59.44]You want to free your mind about a concept
[05:02.13]Of harmony and of music being correct
[05:06.80]You can do whatever you want
[05:08.29]So nobody told me what to do
[05:11.51]And there was no preconception of what to do