Tall and tan and young and handsome The boy from Ipanema goes walking and When he passes, each girl he passes goes ("I've been there") When he walks he's like a samba That swings so cool and sways so gentle When he passes each girl, he passes goes, ah Oh, but I watch him so sadly How can I tell him I love him? Yes, I would give my heart gladly But each day when he walks to the sea He looks straight ahead, not at me Tall, and tan, and young and handsome The boy from Ipanema goes walking and When he passes I smile but he doesn't see ("Sing! I wanna hear you") Oh, but I watch him so sadly How can I tell him I love him? Yes, I would give my heart gladly But each day when he walks to the sea He looks straight ahead, not at me (The audience singing in Portuguese) When he passes I smile, but he doesn't see He just doesn't see... He doesn't see ("Thank you. You're gorgeous! Beautiful! Thank you so much. Oh my god!") ("Anthony Wilson... John Clayton... Jeff Hamilton...") ("That's an incredible orchestra! Thank you.") ("Ladies and gentlemen. Thank you.") ("Thank you. I feel kind of...") ("But I have to leave tommorow") ("But not yet. So if I can keep being here for a little bit longer. That would be lovely. Thank you very much.") ("I went to Cranegie Hall this summer") ("And saw 'someone' there... though") ("Solo on guitar it was incredible") ("And I loved the piece that I thank for a Portugese 'a person' who sings it that I just had to say it") ("I know he's been a great inspiration of mine. 'Another person' is as important as ...") ("I can mention all his incredible songs we sing is all coming together") ("And I'm thrilled to be here now. I'll stop talking now. Ok. I'm getting all emotional!")
[00:18.00]Tall and tan and young and handsome [00:22.00]The boy from Ipanema goes walking and [00:26.00]When he passes, each girl he passes goes [00:32.00]("I've been there") [00:34.00]When he walks he's like a samba [00:38.00]That swings so cool and sways so gentle [00:43.00]When he passes each girl, he passes goes, ah [00:51.00]Oh, but I watch him so sadly [00:59.00]How can I tell him I love him? [01:09.00]Yes, I would give my heart gladly [01:16.00]But each day when he walks to the sea [01:21.00]He looks straight ahead, not at me [01:25.00]Tall, and tan, and young and handsome [01:29.00]The boy from Ipanema goes walking and [01:34.00]When he passes I smile but he doesn't see [01:44.00]("Sing! I wanna hear you") [02:15.00]Oh, but I watch him so sadly [02:26.00]How can I tell him I love him? [02:33.00]Yes, I would give my heart gladly [02:40.00]But each day when he walks to the sea [02:46.00]He looks straight ahead, not at me [02:51.00](The audience singing in Portuguese) [03:00.00]When he passes I smile, but he doesn't see [03:09.00]He just doesn't see... He doesn't see [03:33.00]("Thank you. You're gorgeous! Beautiful! Thank you so much. Oh my god!") [03:39.00]("Anthony Wilson... John Clayton... Jeff Hamilton...") [04:18.00]("That's an incredible orchestra! Thank you.") [04:23.00]("Ladies and gentlemen. Thank you.") [04:35.00]("Thank you. I feel kind of...") [04:39.00]("But I have to leave tommorow") [04:40.00]("But not yet. So if I can keep being here for a little bit longer. That would be lovely. Thank you very much.") [04:48.00]("I went to Cranegie Hall this summer") [04:51.00]("And saw 'someone' there... though") [04:56.00]("Solo on guitar it was incredible") [05:00.00]("And I loved the piece that I thank for a Portugese 'a person' who sings it that I just had to say it") [05:08.00]("I know he's been a great inspiration of mine. 'Another person' is as important as ...") [05:14.00]("I can mention all his incredible songs we sing is all coming together") [05:17.00]("And I'm thrilled to be here now. I'll stop talking now. Ok. I'm getting all emotional!")
