作词 : Thomas Bangalter/de Homem-Christo/Giorgio Moroder 作曲 : Giorgio Moroder/Thomas Bangalter/Guy-Manuel de Homem-Christo When I was fifteen, sixteen, when I really started to play the guitar. I definitely wanted to become a musician. It was almost impossible because it was, the dream was so big that I didn't see any chance because I was living in a little town, was studying and when I finally broke away from school and became a musician. I thought "Well, now I may have a little bit of a chance." Because all I ever wanted to do is music but not only play music but compose music. At that time, in Germany, in 1969-70, they had already discotheques So I would take my car, would go to a discotheque, sing maybe thirty minutes I think I had about 7-8 songs. I would partially sleep in the car because I didn't want to drive home and that helped me for about almost two years to survive. In the beginning, I wanted to do an album with the sounds of the 50s, the sounds of the 60s, of the 70s, and then have a sound of the future. And I said:"Wait a second, I know the synthesizer, why don't I use the synthesizer?", which is the sounds of the future. And I didn't have any idea what to do but I knew I needed a click so we put a click on the 24 track which was then synced to the moog modular. I knew that could be a sound of the future but I didn't realize how much impact it would be. My name is Giovanni Giorgio, but everybody calls me Giorgio.
Once you free your mind about a concept of harmony and of music being correct, you can do whatever you want. So nobody told me what to do and there was no preconception of what to do.
[00:00.000] 作词 : Thomas Bangalter/de Homem-Christo/Giorgio Moroder [00:00.539] 作曲 : Giorgio Moroder/Thomas Bangalter/Guy-Manuel de Homem-Christo [00:01.79]When I was fifteen, sixteen, when I really started to play the guitar. [00:06.27]I definitely wanted to become a musician. [00:09.80]It was almost impossible because it was, the dream was so big that [00:13.98]I didn't see any chance because I was living in a little town, [00:18.66]was studying and when I finally broke away from school and became a musician. [00:25.50]I thought "Well, now I may have a little bit of a chance." [00:29.19]Because all I ever wanted to do is music but not only play music but compose music. [00:35.68]At that time, in Germany, in 1969-70, they had already discotheques [00:42.70]So I would take my car, would go to a discotheque, sing maybe thirty minutes [00:50.66]I think I had about 7-8 songs. [00:53.60]I would partially sleep in the car because I didn't want to drive home [00:59.61]and that helped me for about almost two years to survive. [01:06.03]In the beginning, [01:09.55]I wanted to do an album with the sounds of the 50s, [01:12.94]the sounds of the 60s, of the 70s, [01:15.97]and then have a sound of the future. And I said:"Wait a second, [01:20.26]I know the synthesizer, why don't I use the synthesizer?", [01:24.73]which is the sounds of the future. [01:28.02]And I didn't have any idea what to do [01:30.68]but I knew I needed a click so we put a click on the 24 track [01:35.11]which was then synced to the moog modular. [01:39.04]I knew that could be a sound of the future [01:42.78]but I didn't realize how much impact it would be. [01:47.66]My name is Giovanni Giorgio, but everybody calls me Giorgio. [01:52.34] [04:59.80]Once you free your mind about a concept of harmony and of music being correct, [05:07.17]you can do whatever you want. [05:09.31]So nobody told me what to do and there was no preconception of what to do.
