作曲 : Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo When I was fifteen Sixteen when I really started to play the guitar I definitely wanted to become a musician It was almost impossible because it was The dream was so big That I didn't see any chance Because I was living in a little town Was studying and When I finally broke away from school And became a musician I thought "well Now I may have a little bit of a chance " because all I really wanted to do is music And not only play music but compose music
At that time in Germany In '69-'70 they had already discotheques So I would take my car Would go to a discotheque And sing maybe 30 minutes I think I had about 7-8 songs I would partially sleep in the car Because I didn't want to drive home And that helped me for about almost 2 years to survive In the beginning I wanted to do an album with the sounds of the 50s The sounds of the 60s Of the 70s and then have a sound of the future And I thought "wait a second I know the synthesizer Why don't I use the synthesizer which is the sound of the future" And I didn't have any idea what to do But I knew I needed a click So we put a click on the 24 track which Then was synched to the Moog Modular I knew that it could be a sound of the future But I didn't realize how much impact would be
My name is Giovanni Giorgio But everybody calls me Giorgio
You want to free your mind about a concept Of harmony and of music being correct You can do whatever you want So nobody told me what to do And there was no preconception of what to do
[00:00.00] 作曲 : Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo [00:01.49]When I was fifteen [00:03.47]Sixteen when I really started to play the guitar [00:06.67]I definitely wanted to become a musician [00:08.99]It was almost impossible because it was [00:12.24]The dream was so big [00:13.97]That I didn't see any chance [00:16.13]Because I was living in a little town [00:17.99]Was studying and [00:19.66]When I finally broke away from school [00:22.75]And became a musician I thought "well [00:26.53]Now I may have a little bit of a chance [00:28.66]" because all I really wanted to do is music [00:31.59]And not only play music but compose music [00:34.14] [00:35.62]At that time in Germany [00:37.81]In '69-'70 they had already discotheques [00:42.52]So I would take my car [00:44.12]Would go to a discotheque [00:46.19]And sing maybe 30 minutes [00:50.44]I think I had about 7-8 songs [00:53.50]I would partially sleep in the car [00:57.06]Because I didn't want to drive home [00:59.25]And that helped me for about almost 2 years to survive [01:05.86]In the beginning [01:09.41]I wanted to do an album with the sounds of the 50s [01:13.09]The sounds of the 60s [01:14.64]Of the 70s and then have a sound of the future [01:19.12]And I thought "wait a second [01:21.38]I know the synthesizer [01:22.63]Why don't I use the synthesizer which is the sound of the future" [01:27.86]And I didn't have any idea what to do [01:30.59]But I knew I needed a click [01:32.47]So we put a click on the 24 track which [01:35.22]Then was synched to the Moog Modular [01:38.53]I knew that it could be a sound of the future [01:42.42]But I didn't realize how much impact would be [01:45.20] [01:47.52]My name is Giovanni Giorgio [01:49.39]But everybody calls me Giorgio [01:51.77] [04:59.44]You want to free your mind about a concept [05:02.13]Of harmony and of music being correct [05:06.80]You can do whatever you want [05:08.29]So nobody told me what to do [05:11.51]And there was no preconception of what to do
