作曲 : Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo When I was fifteen, sixteen, when I really started to play guitar I definitely wanted to become a musician It was almost impossible because—it was—the dream was so big That I didn't see any chance because I was living in a little town; was studying And when I finally broke away from school and became a musician I thought, "Well, now I may have a little bit of a chance" Because all I really wanted to do is music And not only play music, but compose music At that time, in Germany, in '69, '70, they had already discotheques So, I would take my car, would go to a discotheque Sing maybe thirty minutes I think I had about seven, eight songs I would partially sleep in the car Because I didn't want to drive home and that helped me for about Almost two years to survive in the beginning I wanted to do an album with the sounds of the '50s The sounds of the '60s, of the '70s And then have a sound of the future And I said, "Wait a second, I know the synthesizer Why don't I use the synthesizer which is the sound of the future?" And I didn't have any idea what to do But I knew I needed a click, so we put a click on the 24-track Which then was synced to the Moog Modular I knew that could be a sound of the future But I didn't realize how much the impact would be My name is Giovanni Giorgio But everybody calls me Giorgio
Once you free your mind about a concept of Harmony and of music being "correct" You can do whatever you want So, nobody told me what to do And there was no preconception of what to do
[00:00.000] 作曲 : Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo [00:01.270] When I was fifteen, sixteen, when I really started to play guitar [00:06.249] I definitely wanted to become a musician [00:09.515] It was almost impossible because—it was—the dream was so big [00:13.694] That I didn't see any chance because [00:15.944] I was living in a little town; was studying [00:19.140] And when I finally broke away from school and became a musician [00:25.190] I thought, "Well, now I may have a little bit of a chance" [00:28.922] Because all I really wanted to do is music [00:31.293] And not only play music, but compose music [00:35.027] At that time, in Germany, in '69, '70, they had already discotheques [00:42.151] So, I would take my car, would go to a discotheque [00:45.900] Sing maybe thirty minutes [00:50.286] I think I had about seven, eight songs [00:53.055] I would partially sleep in the car [00:56.809] Because I didn't want to drive home and that helped me for about [01:02.338] Almost two years to survive in the beginning [01:09.170] I wanted to do an album with the sounds of the '50s [01:12.563] The sounds of the '60s, of the '70s [01:15.781] And then have a sound of the future [01:18.809] And I said, "Wait a second, I know the synthesizer [01:22.393] Why don't I use the synthesizer which is the sound of the future?" [01:27.513] And I didn't have any idea what to do [01:30.251] But I knew I needed a click, so we put a click on the 24-track [01:34.844] Which then was synced to the Moog Modular [01:38.455] I knew that could be a sound of the future [01:42.385] But I didn't realize how much the impact would be [01:47.326] My name is Giovanni Giorgio [01:49.351] But everybody calls me Giorgio [01:54.123] [04:59.610] Once you free your mind about a concept of [05:03.662] Harmony and of music being "correct" [05:06.792] You can do whatever you want [05:08.396] So, nobody told me what to do [05:11.674] And there was no preconception of what to do
